This year’s World History Association’s Conference has a theme on “Diasporas and Refugees in World History”. Because I have long had an interest in establishing more dialog between historians (especially ‘world historians’) and art historians, I propose to organize a panel on artists as political refugees. My own field is Twentieth Century China and I am particularly interested in the first stage of China’s post Mao “opening up” in the 1980s. There have been other artistic refugees in the 20t..
Call for Papers for the panel: Reciprocal Exchanges: Regionalisms and Modernisms in Dialogue (As par...
Migration in Global History: Peoples, Plants, Plagues, and Ports Nanyang Technological University Si...
Following “Arrival Cities: Migrating Artists and New Metropolitan Topographies”, the first conferenc...
This panel invites proposals that assess the sources of the radical political and artistic tendencie...
“Folk Memory Project” is a long-term artistic/social project in China, organized by acclaimed artist...
Call for Papers for the Panel: Histories and Imaginaries: European Art versus American Art (As part ...
New York City, a major capital of the art world since the mid-20th century, has long been an importa...
ATTENTION: Date limite de remise des propositions : 02.05.2011 "The Challenge of Nazi Art," College ...
This artwork has been acquired by the Huai'an Art Museum of China for their permanent collection in ...
The subject of this thesis is the circumstances surrounding the emigration of European modern artist...
CALL FOR PAPERS Heritage and Art between State Ideology and Grassroots Activism Panel to be held at ...
Existing literature on media depictions of refugees shows that they are predominantly negative and r...
This international workshop will chart the intersection between refugee history and Cold War history...
The panel “Art as cultural diplomacy ” seeks papers that explore the function of art (in its broades...
This panel will explore developments in European fine art education in the 20th century. It will see...
Call for Papers for the panel: Reciprocal Exchanges: Regionalisms and Modernisms in Dialogue (As par...
Migration in Global History: Peoples, Plants, Plagues, and Ports Nanyang Technological University Si...
Following “Arrival Cities: Migrating Artists and New Metropolitan Topographies”, the first conferenc...
This panel invites proposals that assess the sources of the radical political and artistic tendencie...
“Folk Memory Project” is a long-term artistic/social project in China, organized by acclaimed artist...
Call for Papers for the Panel: Histories and Imaginaries: European Art versus American Art (As part ...
New York City, a major capital of the art world since the mid-20th century, has long been an importa...
ATTENTION: Date limite de remise des propositions : 02.05.2011 "The Challenge of Nazi Art," College ...
This artwork has been acquired by the Huai'an Art Museum of China for their permanent collection in ...
The subject of this thesis is the circumstances surrounding the emigration of European modern artist...
CALL FOR PAPERS Heritage and Art between State Ideology and Grassroots Activism Panel to be held at ...
Existing literature on media depictions of refugees shows that they are predominantly negative and r...
This international workshop will chart the intersection between refugee history and Cold War history...
The panel “Art as cultural diplomacy ” seeks papers that explore the function of art (in its broades...
This panel will explore developments in European fine art education in the 20th century. It will see...
Call for Papers for the panel: Reciprocal Exchanges: Regionalisms and Modernisms in Dialogue (As par...
Migration in Global History: Peoples, Plants, Plagues, and Ports Nanyang Technological University Si...
Following “Arrival Cities: Migrating Artists and New Metropolitan Topographies”, the first conferenc...